Thursday, September 22, 2011

Final Eyes Journal (7)


Themes:
  • Curiosity
  • Race
  • Death
  • Luck
  • Sickness
  • Waiting
  • Anger
  • Hatred
  • Religion
  • Fear
  • Jealousy
  • Possession (Superstitious)
  • Murder


Race: Race is constantly used in Hurston's writing. Hurston uses race to show how life was back in the '30s. Hurston shows White men forcing Black men to bury the dead (169-170), only the White men got buried in Caskets, the Black men did not.


Waiting: Hurston uses the theme of waiting to show the illusion of time in one's life. Janie never would of thought Tea Cake would die from being bitten by the dog, she was more worried about herself growing old.


Jealousy: Hurston uses Jealousy in Their Eyes Were Watching God to show a more dehumanized version of man. Whenever someone is jealous in her book, she portrays them as something other than human, whether it's a monster or a brute animal. 

Wednesday, September 21, 2011

Eyes Journal 6

Purpose Statement: This passage shows Janie's fear of becoming old without having found her idealized love. Hurston uses the repetition of Janie pleading to God, and the personification of bright things representing Tea Cake to show Janie's desperation to find that idealized love.

Topic1: In the first paragraph Hurston compares Annie Tyler and Janie to show Janie's regret for waiting for her perfect "fantasy" love.

Topic2: Hurston shows Janie being desperate by pleading to God about the safety and well-being of Tea Cake.

Topic3: Hurston uses personification of the sun as Tea Cake, and the darkness that ensues is Janie without Tea Cake.



Comments:


KKVL said... (To Olivia)

I really liked your use of a dictionary definition to back up your reasoning. I agree that Hurston used a lot of imagery to help show Janie's mood during the passage. I also liked how you noticed Hurston using "spies" to make the figurative language darker. You had a lot of great ideas.

KKVL said... (To Andrew)

I liked how you noticed the part were Janie gives credit to the townspeople, I never noticed that. You had a really good overall analysis of the passage. I never noticed how the rocking chair could be linked to her spinning thoughts. I really like how you came up with that.

KKVL said... (To Jack)

I never noticed Hurston's doubling of paragraphs, after reading that, the passage makes more sense now. I really liked how you said "time seems to go by very slowly" when you're waiting for something, because that is very true.

Monday, September 19, 2011

Eyes Journal 5

They put her to bed and sent for her married daughter from up around Ocala to come see about her.  The daughter came as soon as she could and took Annie Tyler away to die in peace.  She had waited all her life or something, and it had killed her when it found her.
      The thing made itself into pictures and hung around Janie's bedside all night long.  Anyhow, she wasn't going back to Eatonville to be laughed at and pitied.  She had ten dollars in her pocket and twelve hundred in the bank.  But oh God, don't let Tea Cake be off somewhere hurt and Ah not know nothing about it.  And God, please suh, don't let him love nobody else but me.  Maybe Ah'm is uf fool, Lawd, lad dey say, but Lawd, Ah been so lonesome, and Ah been waitin', Jesus.  Ah done waited uh long time.
      Janie dozed off to sleep but she woke up in time to see the sun sending up spies ahead of him to mark out the road through the dark.  he peeped up over the door sill of the world and made a little foolishness with red.  but pretty soon, he laid all that aside and went about his business dressed all in white.  But it was always going to be dark to Janie if Tea Cake didn't soon come back.  She got out of the bed but a chair couldn't hold her.  she dwindled down on the floor her head in a rocking chair.



Tone: Worrisome/Depressed
 Hurston feels very sad towards this passage, using words like "killed", "die", "pitied","lonesome", "dark" and "dwindled".


Mood: Worried
Hurston tries to make the reader worried along with Janie, and possibly sad about the passing of Annie Tyler.


"They put her to bed" is forshadowing Annie Tyler dying. Hurston might of said Janie "got out of the bed" as a kind of contrast. Possibly hitting on the point that Janie feels so alive with Tea Cake


Hurston uses personification in the beginning of the 2nd paragraph. "The thing made itself into pictures and hung around Janie's bedside all night long." Hurston uses personification to show "the thing" that is the idea of Tea Cake off with another girl/getting hurt, bothering Janie. Janie is a wreck without Tea Cake at this point in the book, and Tea Cake has a tendency to go off for long periods of time, which destroys Janie during, but makes everything 200% better when he returns.


The end of the 2nd paragraph is written in 1st person, coming from Janie. Hurston has Janie beg to God to make sure Tea Cake is OK, and she tries to make a deal with him. This shows Janie's desperation when she is without Tea Cake. Hurston could be portraying her ideas on relationships. Is it good to derive a spouse of his/her presence and then bestowing it again to make everything okay again.


Again Hurston is using personification to portray the sun "creating" the sunrise. Using the "door sill" as the horizon, and his "spies" that he is sending ahead of him are the first beams of sunlight. The sunrise is so vividly depicted to show how intense it is for Janie after waiting around all night for Tea Cake. But why is the Sun wearing white when he walks away? What could that be referencing? Tea cake walking away from Janie with her money?




"a chair couldn't hold her." Hurston says this to show how weighed Janie is. She has the burden of worrying about Tea Cake all night and most likely all morning. 



Wednesday, September 14, 2011

Eyes Journal 4


So Megan started to contemplate forgiveness. Forgiveness, the cute turtle with the tiny protruding head that resides in the pond. The magnificent being that lies on a rock like a pedestal without legs beneath it, and without a cushion. What desire does Forgiveness have for a pillow, and what aches can hurt him? He lies on his lifted rock that sees over the pond. Waits peaceful and thoughtless all day with his arms open wide, hoping for the Keeper to bring him home. Been lying around when there was a relationship or apology or gift. She could find a leaf from the tree standing above his pond anytime. She was patient and trustful. Poor Joseph! He should not have to die there with no one else. She sent John in to suggest a conversation, but Joseph said No. These waiting therapists were okay with the depressed, but they could not handle a situation like this. He would better when the wingless pigeon discovered who had plotted against him. He would become happy. That is what he thought. But John suggested something else, so she thought. So if he didn’t, one night she would find out, because people start to accumulate beneath the forest tops and lower canopy. Things that could not enter the forest before, hiked in not to enjoy the nature. Just sat in the bushes and thought. Legend, that headless man, had lit up the forest floor.  

Eyes Journal 3

The characters that interested me this chapter were Same Watson and Lige Moss. First of all, I noticed the motif of nature in Lige Moss. If we are counting old Irish as a valid source, then his name technically means "lying [on]    moss". Sam Watson on the other hand, has little reference to nature, unless his name has something to do with water. Their argument from page 63 to 67, interrupted by the passing by of Daisy. The topic that they were arguing about interested me, "Whut is it dat keeps uh man from gettin' burnt on uh red-hot stove--caution or nature?"(64) I can't help but feel this is relevant to the book, as one, it includes nature, a strong motif, and caution. But what could Janie be trying to tell the reader by making these two lesser characters argue about Nature vs. Caution?
         I found it interesting how Lige Moss, "lying on grass", was the one that thought caution is the thing that keeps men from getting burnt on a stove. While as Sam thought it was Nature. What was Hurston's purpose for making a character, clearing related to nature, decide that Nature isn't what creates caution? Hurston goes on to create Sam as the type of person to question authority. Could this be foreshadowing? Lige is sort of a trickster as he likes to mess with Sam, "'Well what is my point?'-Sam 'You ain't got none, so far.'-Lige"(65) Even though Sam has clearly said that caution is a greater force then Nature as far as keeping men at bay. Also, Lige and Sam seem to be the center of attention while the argument is going on, "By this time, they are the center of the world."(64) If everyone is listening, why do we not hear any others' opinions? The only person to interject is Walter, to help back up Sam. Reading those few pages, made me interested on which the other main characters would choose, Caution or Nature? Hurston took about 3 pages, and dedicated them to the argument of Lige and Sam, it must have some significance. I can't help but think what else the characters Lige and Sam could represent? Why does Hurston have these two characters argue? Is it to build on lesser characters just as filler? Or is there more to this argument?

Tuesday, September 13, 2011

Eyes Journal 2

Karl Viamonte-Lyons


“Thank yuh fuh yo’ compliments, but mah wife don’t know nothin’ ‘bout no speech-makin’. Ah never married her for nothin’ lak dat. She’s uh woman and her place is in de home.”
            Janie made her face laugh after a short pause, but it wasn’t too easy. She had never thought of making a speech, and didn’t know if she cared to make one at all. It must have been the way Joe spoke out without giving her a chance to say anything one way or another that took the bloom off of things. But anyway, she went down the road behind him that night feeling cold. He strode along invested with his new dignity, thought and planned out loud, unconscious of her thoughts. (43) (11 lines in the book)

Three techniques:

Motif: “the way Joe spoke out without giving her a chance to say anything one way or another that took the bloom out of things.”

Analysis: Even in the fifth chapter, Hurston is using the motif of nature. In the earlier chapters she talked about how Janie’s innocence and childhood referred to a pear tree, and when Janie finally left Logan, there was a great detail in the setting in which she left him. Maybe Hurston chose the word “bloom” in the context of him “taking the bloom out of things” as in, taking away the spark that caused her to leave Logan for Joe. Maybe throughout the book, nature will continue coming up giving hints as to what Janie is really feeling.

Epiphany: The first hint of Janie being spiteful towards Joe.

Analysis: In this paragraph Janie realizes Joe may not be the man she thought he was. She is not mad at him, just merely considering the fact that if she had wanted to give a speech, she couldn’t. “He strode along invested with his new dignity, thought and planned out loud, unconscious of her thoughts.” It seems like Hurston is portraying Joe as not really aware that he had hurt Janie in any sort of way, and that denying her of opportunities was a normal thing to do.  The way Hurston says “unconscious of her thoughts.” really pushes the point that Joe has no idea that Janie was affected at all by his denying her of speaking.

Protagonist/Antagonist: The first act of Joe being sexist towards Janie.

Analysis: In the book Their Eyes Were Watching God, Janie plays the role of the Protagonist. It seems that Hurston might be foreshadowing Joe becoming a future antagonist, as he seems to be trying to hold Janie back from her full potential. Yes, Janie and Joe are married, but Janie rushed into marrying him, there could be more to him than meets the eye.

Tone: Condescending

Mood: Disappointment/Realization

Purpose: To show Janie’s feeling about Joe’s possible sexist attitude. This paragraph could also foreshadow future conflicts concerning Janie wanting to do something that Joe wants to hold her back from doing.

Monday, September 12, 2011

Eyes Journal 1

       Karl Viamonte-Lyons
9-11-11
Period 4AB IB Jr English
Mrs. Townzen



      For the very first sentence of the book, Hurston chooses to talk about men. Not just men, but the dreams and goals of men. “Ships at a distance have every man’s wish on board. For some they come in with the tide. For others they sail forever on the horizon, never out of sight, never landing…” (1) Hurston is describing how some men’s dreams just come naturally, but in contrast, some men can chase their dreams forever, never fully reaching them. I found it interesting how she starts the book talking about men chasing their dreams, when the focuses on Janie. The answer could lie in the third line of the book, “…never landing until the Watcher turns his eyes in resignation, his dreams mocked to death by time.” (1) The title of the book is Their Eyes Were Watching God. In that line, “the Watcher” is capitalized, maybe suggesting that “the Watcher” is God. I find it very interesting how closely that relates to the title, maybe Hurston could have a much deeper meaning to the first lines then just talking about men’s dreams.
            I’m very intrigued in how closely the line “the Watcher turns his eyes” relates to the title of the book, I wonder if there is a reason for that. Does the first paragraph have more to do with the book then meets the eye? Why does Hurston to choose to start a book about the life of a girl, with the dreams of men?
            One thing that really stood out to me was Hurston’s reference to plant life.  “She was sixteen. She had glossy leaves and bursting buds” (11), and right after, “Through pollinated air she saw a glorious being coming up the road.” (11). After a few sentences she kisses that “glorious being” (Johnny Taylor). Hurston described the air as “pollinated” was that a very quick and decisive foreshadow to their kiss? It may foreshadow something later on in the book. It seems as though Hurston likes to use plants and other natural things to contrast to human life. Later on, Hurston has Janie describe her Nanny as “…[Nanny’s] face looked like the standing roots of some old tree…” (12) Hurston chooses to describe Janie’s Nanny as an old tree. This could be portraying Janie’s thoughts of her grandmother’s old-fashioned view of love, and how “status” is ultimately more important than love, according to Nanny. In the third chapter, Hurston usually uses spring time to describe Janie’s life, “So Janie waited a bloom time, and a green time and an orange time.” (25) Also, in the beginning of the second chapter, “Janie saw her life like a great tree in leaf with the things suffered, things enjoyed, things done and undone. Dawn and doom was in the branches.” (8) What could Hurston be foreshadowing in the rest of the book?
            I find it curious how Hurston describes the seasons by the color of the plants during each season; does this have something to do with Janie’s three marriages? Why else would Hurston only use three seasons instead of four? Will Hurston use more nature to describe Janie’s feelings about life later on?

            Another curious thing about the first few pages is that Hurston likes to put contradicting words in the same sentence. On page 2, while talking about Janie being judged by the porch sitters, Hurston describes the porch sitters making “burning statements with questions, and killing tools out of laughs. It was mass cruelty.” (2) and then no more than a line away, Hurston describes their actions as “walking altogether like harmony in a song.” I think it’s very strange how she uses such contradictory terms so close together. Hurston describes the “porch sitters” as having a sort of mob mentality. I wonder if during the 1930s that was very common and inspired her.
            Was Hurston’s life influenced by “porch sitters”? Why does she make them have such an impact on the story line? Will Hurston keep using contradictory words later in the book? Why does she use this style?